Pakistan: Calligraphic Exhibition to Mark Islamic New Year

December 22, 2011 by · Leave a Comment 

By Sana Jamal, Pakistan Observer

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Title:  “Qui Sharif” by Abdul Rehman

Islamabad—To mark the arrival of the Islamic year 1433, an exuberant exhibition of Islamic calligraphy was arranged in Islamabad by Gallery Louvre.

The exhibition that opened is a group show showcasing different styles of calligraphic works by young and veteran artists of Pakistan. The calligraphy display features the masterworks of Ahmed Khan, Javaid Qamar, Rashid Ali, Bushra Zeeshan, M.A.Bukhari, Arif Khan, Shahid, Waqar, and Bashir.

Calligraphy, the art of turning plain writings into beautiful script by adding twists around words and the alphabets, has gained recognition in Pakistan lately. The splendid form of art inspired many in Pakistan during 70’s when the country produced some world renowned artists in this field namely, Sadequain and Gulgee.

“Islamic calligraphy is considered an essential part of a Muslim society where most of the houses have a wall adorned with Islamic calligraphies, that’s why we have arranged a calligraphic exhibition presenting the works of new artists as well as the masters like Ahmed Khan” stated Alina Saeed, the curator of the Gallery.

The inclusion of the artworks of Ahmed Khan, one of the eminent calligraphists of Pakistan, has added a special attraction for the art lovers. Ahmed Khan, also an educationist, is celebrated for the luminous paintings, in which a traditional interpretation of line and form are reassessed as calligraphic design. His work comprises of overlaid calligraphic designs based on silver foil pressed on canvas which with a sprinkle of chemicals turns them into vibrant colours.

Vibrant yet elegant artworks of the up-and-coming artist Bushra Zeeshan, are a beautiful addition to the art show, which show that there is an increased interest among youth for the art of calligraphy. Bushra’s work is a combination of square and angular lines as well as compact bold circular forms, presented in uniform script styled calligraphies, and the borders contain details with delicate patterns which provide a perfect balance to the strong fonts. She has explored the original type of Arabic script in her artworks called kufic.

M.A.Bukhari, using acrylic on canvas, has illustrated ninety nine names of Allah in different collages of colours in different sizes. The multi-coloured calligraphic work is a beautiful combination of modern art with cultural and religious values. The artists, known for his large canvases, broad strokes and vibrant lively colours, has applied the colours in thick layers which makes the art piece eye-catching and bewildering at the same time.

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More Art than Science

November 17, 2011 by · 1 Comment 

Dr. Adil Akhtar’s Art

ScreenShot003Born and raised under adversarial political and economic conditions in his native Pakistan, Adil Akhtar knew early on that he would have to work very hard and study long hours through many years of schooling to help provide for his family’s well-being. Against all odds, Adil did just that, eventually earning his medical degree and relocating to the United States to pursue a medical practice in the mid-west. Recognized as a highly competent, knowledgeable, sensitive and caring physician in the fields of oncology, hospice care, palliative and internal medicine. Dr. Akhtar is the Chief of Clinical Operations at the Beaumont Health Care System Cancer Center. Dr. Adil Akhtar is a favorite among his patients and their families for his knowledge, expertise, dedication and compassion. Few who know him as a physician would realize there is another side to the good doctor in which he is equally passionate and prolific.

As the artist, Adil Akhtar is able to throw aside all conventions and allow his creative spirit to have free reign. Heavily influenced by the Abstract Expressionist movement, Akhtar enjoys immersing himself in his work, and is often found dancing on his canvases while painting, thus becoming an integral part of his work.

Still haunted by many of his childhood memories, as well as deeply affected by the current political scene, Akhtar believes art should be relevant, identifiable on a personal level and it should represent the era in which it has been created. Thus, his paintings reflect the mood of the times and capture what is happening around him, as well as reflecting issues he feels strongly about. For example, recent works reflect the 9/11 tragedy as well as subjects related to child labor, Pakistan, the universe and aquatics.

Adil Akhtar competed in ArtPrize in Grand Rapids, Michigan in 2010, where his piece, We Are Looking for a New World, was exhibited at the Gerald Ford Presidential Museum. His 2011 Exhibitions have included: ArtExpo New York; The American Airlines Admiral’s Club at LaGuardia Airport in NYC; Lake Placid Celebration of the Arts and Red Dot Miami.

Adil Akhtar’s “Artist’s Statement”

Art is an expression for which the canvas is only a medium

For Adil Akhtar, the medium is less important than the expression. Using acrylics on unprimed canvas, Akhtar spreads the raw canvas on the floor of his studio and then walks or dances on the canvas while painting, thus becoming a part of the whole painting. I become part of the whole scene.

Adil is an avid student of art history and a fan of Post Impressionist painters like Van Gogh and Picasso. Historically, art used to be important to us, but it has disengaged itself from our society. Adil would like for that to change.

Adil’s art includes paintings that reflect relevant subjects close to his heart: child labor, the universe, Pakistan, aquatics and politics. His work was exhibited at the Gerald Ford Presidential Museum in September 2010 as part of the ArtPrize Competition, as well as at ArtExpo New York in March 2011. Other recent exhibitions include: The American Airlines Admiral’s Club at LaGuardia Airport in NYC; Lake Placid Celebration of the Arts and Red Dot Miami 2011. He is represented by Jayson Samuel. ■